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Genre: Feature, Comedy
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Director: Jonathan Morgan
Cast: Holly Michaels, Toni Ribas, Veronica Avluv, James Deen, Lizz Tayler, Xander Corvus, Kaylynn, Mick Blue, Brooklyn Chase, Will Powers
Length: 149:36 minutes
Date of Production: 2013
Extras: There were trailers and spam before getting to the actual extras menu. There I found the movie included three unrelated bonus scenes; Brooklyn Chase & Erik Everhard in The Candy Striper (18:08 minutes), Lizz Tayler & Dane Cross in The Pre-Nup (19:08 minutes), and Veronica Avluv & Ritchie Calhoun in Crime of Passion (12:33 minutes). There was also a photogallery, more trailers, and a company promotional reel.
Audio/Video Quality: Odd Jobs was presented in anamorphic widescreen as shot by director Jonathan Morgan for Wicked Pictures. While I have not seen all of Jonathan’s works in recent years, and I’ve followed his career a lot longer than most, this one looks very crisp and clear just like his other works at Wicked, the color tones accurate and the composition of the shots all enhancing the look of the ladies. Jonathan and Andre Madness seemed to be in charge of camera work and much of the rest of the technical qualities (with help from cameo appearing Mo of course), Enigma editing, and Fliktor taking care of lighting gaffing, Mila Vandamme taking care of most makeup. The lack of continuous company watermark on the lower right hand corner (or anywhere else) was a plus too, though the editing was a bit abrupt at times for my tastes. The aural components provided fairly clear vocals, expected music, and a blend of ambient sounds the better works provide these days, some care and attention used to make the sound better than what you will find at the competition in most cases for a modest budget feature comedy.
Body of Review: Jonathan Morgan is perhaps the best comedy porn director around if you look at his body of work for Wicked Pictures. His upcoming release of Odd Jobs shows how he can take a depressing topic like unemployment and flip it on its ear to make light of the situation courtesy of Brooklyn Chase’s scheming headhunter, the gal always finding people a job but the results proving less than satisfying. With beauties like Kaylynn, Holly Michaels, Lizz Tayler, and Veronica Avluv working with some of the better males in the industry, you can expect the unexpected this time. The back cover described the movie like this: “In this sexually charged "mockumentary", we follow the exploits of a slightly deceptive headhunter, Natalie (Brooklyn Chase), who finds highly qualified people - 'less than' quality jobs. Whether it's a Babysitter, French Maid, Vacuum Salesman or Student Mover, all of the candidates bend over backwards to do their deeds! Odd Jobs because everyone deserves a raise!” Here’s a brief look at the scenes by cast and action, noting that condoms were used for those still interested:
Scene One: Holly Michaels, the attractive young hotty seen on the upper right corner of the front cover, was up first as a sexy maid, the gal caught by employer Toni Ribas as she danced around the bedroom in her wonderfully revealing outfit. Her juicy ass looked great as she bent over and it impressed Toni so much that the couple was soon working the VIP area of the house where she straddled his lap to make a sale of sorts, her hands all over his growing bulge in his pants. She dry humped him as he felt her titties and nuzzled them, the gal slobbing his knob until the turgid pecker was ready to cut diamonds. He gobbled her gash and was soon balls deep inside her pussy, some active riding leading them to do some anal as well. As his cock stretched her perfect pucker, her boobs bounced by the way they banged, Holly impaling herself with some cowgirl variations before he removed the condom to douse her in genetic juice, the baby batter plastering her face and tits as she displayed just how flexible she could be.
Scene Two: Veronica Avluv, the fetching MILF displayed on the upper left hand corner of the front cover in form enhancing lingerie, was up next as a needy housewife wanting to buy exactly what door to door salesman James Deen was selling. His hilarious demonstration showed she had great timing as well, the gal making it clear what he needed to do to follow through for the sale. She reclined on the red couch in her green bathrobe, the attire opening up to show her curvy body barely covered in the black lingerie from the cover. James was sucking her feet as she stripped down, moving his way orally up her body to satisfy her needs. He spent a lot of time on her boobs and crotch, sexually aggressive Veronica inhaling his erection in a frantic hummer and titty fuck. I loved her tan line on her thick ass and James was tapping her neatly trimmed pussy in a variety of positions that caused her to “squirt”. They continued to bone until she knelt down to receive his nut of population pudding to her face, the grateful babe rewarding him with her generosity.
Scene Three: Lizz Tayler, a sexy young brunette wearing a white tank top and tight blue booty shorts, was up next with mover Xander Corvus, when the bottom of her box of sex toys fell through. She explained how her marriage fell apart, some of the toys incredibly large as he comforted her. One thing led to another as he clumsily caressed her leg, her sheer desperation encouraging him to go increasingly further as they met for a kiss. He sucked her nipples and went down on her, his finger furiously pounding her box as she moaned like it had been a long time coming. She then threw him back on the couch to actively blow him, her superior eye contact enhancing the blowjob as she took a moment to wrap his rascal using her mouth, the seasoned pro bending over for him in what became some active vaginal riding positions. Lizz let him do much of the work but the lean cutie proved she was built for speed, slapping her own ass to get off as her juices ran down her legs, the gal using a double handed meat beater style of jerking him off and blowing him to drain him of spunk that she then swallowed.
Scene Four: Kaylynn, a personal favorite of mine from years back was up next in one of her first scenes in a long time with Mick Blue. She wore a tight red dress and proved her skill set was not exactly what he thought he was looking for, the gal impressing him within moments as the black widow locked the door and gave them some time to get to know each other. She explained how she was best at using a hands on approach, putting her hands on his crotch as she knelt down to unfasten his fly and coax him to feel the ripe breasts she was offering up. Kaylynn gingerly started licking his pecker while her other hand felt his hairy chest, her eye contact enhancing the effect it had on the busy foreign executive. Her casual sexuality was impressive as she took her time to enjoy the oral experience, Mick tasting her neatly trimmed beaver before putting on a condom to pound away at her gate to heaven. Kaylynn knew what buttons to push as she moans and writhed on the office desk, rubbing herself as he drilled her pussy and then ass in some active penetrative positions. If anything, Kaylynn’s delicious looking ass has gotten better with age, her flexibility and dirty talk soon draining his dragon of splooge as he glazed her face with the spew and she gave him some post coital head.
Scene Five: Brooklyn Chase, the lean young lady featured on the front cover and female lead of the movie itself, was up last with interviewer Will Powers in her office. Throughout the show she proved to have great comic timing, the cheese of Jonathan’s lines handled just right by the hotty to make me laugh repeatedly. Having dealt with headhunters myself, high pressure ones at that, I thought they got it right on so many levels that I wouldn’t expect of a low budget quickie like this, Brooklyn helping prove her skills by assisting Will with an audition tape. A little promoting and flattery soon had them kissing, her loose blouse open and boobs half hanging out of her bra as she knelt to throat him. Like her peers in the show, she gave great eye contact she slobbed his knob, her tits swaying nicely as she put a lot of effort into it. They titty fucked and he tasted her (I’d have preferred the men really get into giving oral but it wasn’t common here), soon tapping her juicy slit to earn her praise and the potential of a “six figure job”. Her shaven slit engulfed him with ease, Brooklyn rubbing herself and aurally encouraging him as he banged her, the man glazing her face with ball batter as his seed left long streams on her mug.
Summary: Odd Jobs by director Jonathan Morgan for Wicked Pictures was very amusing as a comedy feature, Brooklyn Chase and James Deen standing out in their roles though all of them were just fine sexually. While I have long preferred Jonathan’s bigger budget blockbusters, his smaller budget comedies have rarely failed to impress me with the adage of doing more with less, the casting of the flick certainly working wonderfully with my appreciation for seeing Kaylynn back in action and Holly Michaels in a feature role that used her gonzo talents so well. Overall then, it worked so I rated it as Recommended, the technical aspects well handled and the extras worth a look even if the bulk of them (the bonus scenes) were not truly related to the movie (I missed the BTS). In short, Odd Jobs was well written and served to showcase Brooklyn Chase’s comedic talents rather well, plenty of fuck for the buck provided throughout the show making it well worth adding to your collections.
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