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Big Wet Asses #19
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Big Wet Asses 19
scene specific trailers below (click on screen captures)
Director: William H. Nutsack
Cast: Ally Kay, Manuel Ferrara, Kagney Linn Karter, Ramon Nomar, Liza Del Sierra, Briella Bounce, Mick Blue, Ava Addams, Erik Everhard
Length: 159:56 minutes
Date of Production: 5/28/2011
Extras: The only good extra this time was the 12:43 minute long Behind the Scenes feature where the ladies had a chance to discuss the project and show some flesh. Otherwise, there was a photogallery, trailers, spam, and a cumshot recap but that was all.
Kagney Linn Karter
Audio/Video Quality: Big Wet Asses 19 was presented in the usual 1.78:1 ratio anamorphic widescreen color as shot by director William H. Nutsack for Elegant Angel using the standard definition MPEG-2 codec with 480p resolution. The lighting was good as expected and helped minimize the grain & video noise, the sharp clarity of the production beating out some of the high definition blu-ray titles released by the competition. The composition of the shots always favored the ladies, rarely chopping off their heads in a frame or missing out on significant portions of the action. The editing by Robert Laplanc was very polished this time, an enhancement I enjoyed enough that I had to consciously look to see any errors. I saw no compression artifacts although the bitrate varied substantially, often seeming to be in the 4.8 Mbps range. The audio was presented in the usual 2.0 Dolby Digital English using the 256 Kbps bitrate (and 48 kHz sampling rate), the separation was nonexistent and the dynamic range limited but at least the vocals could be heard most of the time (as could some background noise). The music from Mybeatshop and the company archives were solid enough for the scenes themselves too, the work put forth for the combined technical aspects a notch above many others in the field. In terms of the Blu-ray upgrade, I was lucky enough to score a copy of that one too, the visuals certainly standing out yet again (not just the higher bitrate or resolution but the color balance and little details that high definition gets when a company doesn’t try to cover them up like a few do so often) so spend a few extra bucks to get that one if you are equipped for it.
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Liza Del Sierra
Body of Review: William H. Nutsack is one of the very best gonzo directors at Elegant Angel, his reliance on strong lighting and sticking to the basics as important as the casting decisions that make so many of his works worthwhile. His latest flick sent to me for review is Big Wet Asses 19, my appreciation for the amounts of oil used, fetching ladies, and minimalist approach to capturing them in action reminding me why I routinely sing his praises. While the series has advertised heavily regarding providing a lot of “first anal” scenes, the best scenes almost always come from seasoned anal lovers, the superb casting this time including such hotties as cover babe Kagney Linn Karter, vivacious Liza Del Sierra, and cutie Ally Kay (in her first anal). The company website said this of the show: “Big Wet Asses, the winner of AVN's coveted Best Anal Themed Series award for 2006, 2007, & 2008, is back! Elegant Angel is delighted to announce that porn superstar Ally Kay, stars in her 1st anal scene. This is the 19th edition of the critically acclaimed series, alongside another stellar assemblage of voluptuous superstars. Kagney Linn Karter and Briella Bounce share their second anal scene. To complete this scorching release we have Liza Del Sierra and Ava Addams, Do not miss!” Here’s a brief look at the scenes by cast and action, noting that no condoms were used for those still interested:
Scene One: Ally Kay, a lean and all natural blond hotty, was up first in what was billed as her first on camera anal scene. She teased in her fishnet and black themed outfit in the white room, copious amounts of oil poured on her sweet frame and perfect little ass (not truly qualifying as “big” like the series relies upon) as she strutted her stuff. I have not seen all three dozen or so of her performances but she shows a lot of potential, the youth lovers out there certain to appreciate her tryst here with studly Manuel Ferrara. The tease led to the couple on the couch, Manuel tearing off her bikini in no time as he went down on her front and back, eating her ass and pussy with relish. She adored him and the chemistry fused with the passion to make for a solid scene, his pecker too large for her to handle more than a few inches in her throat before he started pounding her pussy. There was some minor choking and the eventual move to anal took place late in the scene, some taste testing enhancing the quality of the scene all the same. Ally was an active vaginal rider and once warmed up she was nearly as active with a cock in her ass, Manuel launching his round of genetic juice to her face as she looked up at him (and swallowed much of the load). The company website described the scene like this: “Ally Kay struts her perfect body against a bright white backdrop, at the beginning of this 30 minute hardcore scene. Her black bikini left a little too much to the imagination, and that's just not Ally's style - so off it comes! Manuel is right there as soon as Ally's ass is exposed, ready to munch on her until she's screaming. This sexy blonde loves the warm-up almost as much as she loves the deep anal drilling that fills the rest of the runtime!”
Scene Two: Kagney Linn Karter, the major babe featured on the front cover, was up next as she teased in the white room (with lots of oil) and ended up with Ramon Nomar. Despite being placed with a male not at the top of the food chain, Kagney did an exceptional job here, her beauty always having been her biggest selling point over pure sexual skill or chemistry. She looked leaner than I recall ever seeing her, once on the couch with Ramon she had on a purple fishnet top and black thong. He worked her over orally and her clean shaven snatch was as inviting as her perfectly clean ass, both of them fingering her perfect pucker before some vaginal sex and anal by Kagney was displayed. She did some taste testing and while not as active a rider as Ally, few could argue that her fine curves were not perfect for the show. That said, her messy hummer led to a more active anal ride by the gal, her fleshy ass cheeks rippling in a very strokable manner. Ramon ended it by tossing out a wad of population pudding to her mouth, Kagney giving some post coital head but did not swallow. The company website described the scene like this: “Kagney Linn Karter is one blonde that demands your full libido - just watch her work that perfect ass and those big tits, at the beginning of this 31 minute scene! She knows you like it, and she's not here to tease, so you might as well settle in for a nice, hardcore ride. Ramon Nomar does - he tongue- fucks her ass when the solo segment's done, before giving Kagney a long, hard, deep anal drilling until she's all stretched out and cumming!”
Scene Three: Liza Del Sierra, a lean gal with nice boobs and ass, was up next as she showed why she has been in scores of gonzo flicks of late, her personality elevating the quality of the scene even before she was allowed to work with Manuel Ferrara. She teased as the others did, the oil looking great on her frame, and her flexibility came into play too, her eye contact throughout the scene making it stand out in my mind. They both did oral on one another and showed some chemistry together, moving into the anal action a lot sooner than some of the others did. She was an active rider who seemed to appreciate her role in the flick, the post coital head as he splooge glazed her mug amounting to a nice touch. The company website described the scene like this: “Liza Del Sierra works the solo segment like the horny pro she is, at the beginning of this 24 minute scene. Her sexy body will start you off at full pump right out of the gate... but save some fun for when the hardcore action starts! Liza finds herself bent over with Manuel's face in her ass, right where she wants it. That's not all she wants in her ass... every frame of this scene is too sexy for words!”
Scene Four: Briella Bounce, a sexy Texan with small tits but a winning smile and perfectly tasty ass, was up next as she pranced about in the white room during the focused oil tease. Her sparkly top and small thong were fun to watch as she shook arbout but it was her great big ass that I adored the most about her. Mick Blue was the lucky stud to get a crack at the junk in her trunk, the two making out on the couch as she gave him a lap dance, his hands all over her fleshy posterior. They seemed to show a connection to one another and his smile spoke volumes about his desire to tap that butt silly, her own verbal cues displaying enough reciprocating moments to lock in my belief that she got off. Mick even oiled her up extra well before banging her, her modestly active riding appealing to appreciate for the strokability. I appreciate that she had the most bouncy ass of the cast by this point in the show, amounting to a truly “big wet ass” worth rubbing one out to over and over again (if you have to bend over to give the appearance of a big ass, you are not exactly worthy of the title in my estimation). In any case, Mick unloaded his wealth of spunk to her mouth and chin as she looked up to him, her youthful apprehension another nice touch as a change of pace. The company website described the scene like this: “Briella Bounce shows off her fair skin and chubby curves in the white- on-white introduction to this 29 minute scene. Once her ass gets oiled up, Mick Blue loses all patience and invades the solo shoot to kick off the hardcore action. Anyone who loves blondes, and plenty of cushion for the pushing, will be quick to get behind this scene. And speaking of ''getting behind,'' wait until you see how many positions Briella goes through for anal!”
Scene Five: Ava Addams, an attractive older brunette with a great rack and solid ass, was up last with popular stud Erik Everhard, her ass also meriting a nod as truth in advertising. Another thing I liked about Ava was the positive attitude she projected throughout the scene, clearly demonstrating her desire to be there giving her all in a wonderfully strokable fuck flick. She had fun with it and even during the tease this was evident as she did not take things too seriously, kissing Erik and enjoying him in various sexual ways. They fucked and her ass came into play early on, her blowjob using some hand to gland action right out of her ass before he went back to hammering away at her holes. She soon milked his balls dry of semen and he bust a nut on her ass cheeks, the scene cutting out too fast to finish for me. The company website described the scene like this: “Ava Adams dances and sways against a white backdrop, wearing a purple bikini, to kick off this 37 minute scene. Today's video is all about the ass, and Ava's got one of the most porn-ready poopers we've seen all week! But let's not underplay those juicy big tits - Erik sure didn't forget them, when he kicks off the hardcore action, mouth first! The foreplay sets a toe curling pace that continues through anal, and up to the cumshot.”
Summary: Big Wet Asses 19 by director William H. Nutsack for Elegant Angel was another series winner full of replay value & strokability to merit a rating of Highly Recommended. The superior technical values, heated sexual trysts, and highly strokable material helped this volume stand out from so many releases by the competition, the show always one worth picking up year after year. In short, Big Wet Asses 19 was the kind of fuck flick bypassing all the parodies on the market and pretentious “arty farty” releases, the gallons of oil, the seductive teases, and the hammering hardcore sex such that it stood out yet again in no small part thanks to the direction and cats of babes including Briella Bounce, Ava Addams, Ally Kay, Liza Del Sierra, and of course, Kagney Linn Karter. The high definition Blu-ray version of the show was well worth a look as well, the visual upgrade enough to enhance the already solid lighting and details well beyond that of companies focusing more on quantity of their hi-def output rather than quality.
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